Dio can you hear me?
Welcome to the PRO ZONE
It came from the baaasssseeementttt!
Ode to RIFFS
Legen (wait for it) dary!
Take your chances with Gus.
Permutation loop Permutation loop Permutation
Come hang out in these
ENTOPTIC CLUES TELLS ME THIS
TIME'S UP, MR. JESUS
May the 8 be with
Really A-lust(rium)-ing to hear more
A "Real" cool BTS look
Don't cry now
Get that moon OUTTA HERE
SHRED IT, ALAN
Take A Leap!
MY EARS (in a good
Add more power to your
There's a better way!
Take a walk (ing bassline).
The age old question has
Connect the dots to epic
The truth REVEALED
Special guest Glenn Fricker of
The many faces of Trey
Anything this iconic can never be obsolete.
On this edition of Ask a Producer, we've enlisted Arthur Rizk (producer for Power Trip and Inquisition and guitarist for Sumerlands and Eternal Champion) to
How do you record sound in a freaking desert??
Ed edited it did he?
Sometimes, nothing else will do!
Make your drums sound like a person played them, and not a robot!
Turn your song ideas into awesome demos with no hassle!
Fine-tune the velocity of your drum programming today!
The Pantera producer talks using multiple sources
What the hell is mastering!?
Do these distinctions matter anymore?
Converge guitarist and God City Studio owner discusses one of metal's age-old questions.
Dillinger Escape Plan guitarist and Backroom Studios owner Kevin Antreassian runs down the basics of how to use phase relationships
Martin Bisi talks about some strategies for placing microphones when recording drums.
We speak with the legendary producer of albums by Helmet, Swans, Sonic Youth, and more, about his approach to recording
With bonus tips on cable management on-stage and in the studio!