Maaate, Ormsby now have a
Get touchy-feely and express yourself
The unlamest synthesizer of all
"It looks like a lot
Tomas Haake describes the recording
Danny talks recording strats for
I wouldn't start the ignition
Trey Williams 'bout to blast
Instrumental, atmospheric rock FFO: Explosions
His curse is being an
New jam "The Coin Has
Dunable Guitars + Mesa amps
A full band of virtuosos.
Tim Howley gives us an
Who played it better -
Lars went to the vault
From the factory to your
Hack that Axe
What a sweep-tapping young gentleman!
Why would you want a
You haven't seen a weekly
Aenimus bassist Seth Stephens lays
Guitarist Sarah Longfield demonstrates some
An exclusive interview with the
An interesting take on the
What's on the Horizon? Devices,
Turn your song ideas into
Fine-tune the velocity of your
The Pantera producer talks using
I plead the fifth
Why is this interval so
Go fourth and conquer!
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Would you REALLY like it
Just a tad hypocritical, don't
We all do it, so
We interviewed the maker of
Eyal takes us through his
It's no Ground FX, but
Anything is better than nothing.
Will it make sound?
Play the flute? Why not
Nail the bass tone!
Two great tastes that taste
Watch out for crabs.
Huge, doomy, and deathy: we wouldn't want anything else.
Our boys in Drumforge just dropped a new transient shaping plugin to smash your drums with. It rules.
Super cute AND super bizarre.
The dream of the '80s is alive in Haken.
The worse the song, the better your chances!
Megadeth's Dave #2 drops a chorus pedal with the Pro Tone fam!
We talkin bout PRACTICE
Exclusive bass playthrough by Adriano Vilela from Brazil's most dangerous band, Endrah.
Brann talks 70's drum tones, "Barracuda," and the band's most song-oriented release yet.
Is talent really that important in the music scene? And also, do bewbs equal views?
Minor pentatonic bores you to tears? Check this out.
Heart-stopping leads and relentless shredding: what a rush!