Limp Bizkit guitarist and solo artist Wes Borland has teamed up with STL Tones to give you an all-new arsenal of digital tones, thanks to the Tonality: Wes Borland.
The Tonality: Wes Borland comes with three amps. They are:
- Amp 1, based on a Roland© JC-120 Jazz Chorus. This two-input channel with a three-band EQ has become the iconic “king of clean” guitar amplifier, with its flagship pure and transparent tonal signature.
- Amp 2, based on a Diezel VH4. This four-channel 100W amplifier is extremely versatile, allowing virtually any tone to be achieved with its four distinctly voiced preamps, each with independent gain, EQ, and master controls.
- Amp 3, based on a 1965 model Selmer Zodiac 50 MKII Tremolo. This two-channel amplifier offers the chime and saturated breakup tones renowned with vintage UK combos.
There are two pre-effects – the Mini Filter, inspired by the Electro-Harmonix© Mini Q-Tron; and the Big Wezz, based on the Electro-Harmonix Big Muff Pi – and three post-effects. Those are the Digital Delay WB-8 in nspired by the BOSS DD-8, the Borland Delay based on the Dunlop Echoplex Delay, and the WB7 Chorus/Flanger based on the Ibanez CF7 Chorus/Flanger.
As for the cabinets, STL Tones collaborated with Wes to measure each speaker cabinet from his live touring rig. Using five different microphones and over 156 unique positions, STL Tones captured the most realistic impulse responses, all of which can be used and adjusted within the plugin.
